{"id":1351,"date":"2025-04-21T22:47:02","date_gmt":"2025-04-21T22:47:02","guid":{"rendered":"http:\/\/wetpainttools.com\/?p=1351"},"modified":"2025-04-30T10:31:53","modified_gmt":"2025-04-30T10:31:53","slug":"petit-biscuit-trades-fragility-for-ferocity-in-stunning-new-ep-movement-i","status":"publish","type":"post","link":"http:\/\/wetpainttools.com\/index.php\/2025\/04\/21\/petit-biscuit-trades-fragility-for-ferocity-in-stunning-new-ep-movement-i\/","title":{"rendered":"Petit Biscuit Trades Fragility for Ferocity in Stunning New EP, “Movement I”"},"content":{"rendered":"
Petit Biscuit<\/a> once made soundtracks for golden hours and quiet heartbreaks, but the boy wonder of chillwave is now entering his rave era with his new EP, Movement I<\/em>.<\/p>\n Long beloved for his ethereal soundscapes that drift like pastel clouds,\u00a0the French electronic music virtuoso pivots toward a more club-focused sound without sacrificing the emotional intelligence that first made him a standout.<\/p>\n The bass is louder, the emotions are rawer and the evolution is undeniable. If “Sunset Lover” was the daydream of a bedroom romantic, Movement I <\/em>is the storm that rolled in when the curtains were finally drawn back.<\/p>\n Biscuit opens with a gamble, a cover of Radiohead’s turn-of-the-century classic “Everything In Its Right Place.” He brilliantly reimagines the band’s cerebral original as a cinematic house cut, with Lizzy Land’s spellbinding vocals weaving through lush strings and a four-on-the-floor thump.<\/p>\n His transformation from fragile to ferocious is most clear in “All Over,” a down-and-dirty banger where seductive vocals purr atop filthy deep dubstep drops. The nasty track, a collaboration with French compatriot Asdek, is the project’s most stunning departure.<\/p>\n On the trance-tinged “I Lost Myself,” Biscuit’s own confession (“I fell in love once”) cuts deep. The luminous track also features\u00a0a poignant spoken-word vocal, which functions as a lonely, late-night meditation on fractured identity and redemption: “I lost myself years ago too \/ A million versions of me to find.”<\/p>\n Biscuit’s dreamy synthscapes melt into Surf Mesa’s percussive grooves in\u00a0“Without You,” which represents the inevitable morning-after, when club euphoria gives way to existential questioning. JP Saxe’s aching hook (“Who would I be without you?”) reflects the terrifying prospect of rediscovering identity after loss,\u00a0capturing that universal moment of surrender when we finally admit our fear of moving forward alone.<\/p>\n You can listen to\u00a0Movement I\u00a0<\/em>below and find the new EP on streaming platforms here<\/a>.<\/p>\n X: <\/strong>x.com\/PetitBiscuit<\/a> Petit Biscuit once made soundtracks for golden hours and quiet heartbreaks, but the boy wonder of chillwave is now entering his rave era with his new EP, Movement I. Long<\/p>\nFollow Petit Biscuit:<\/h2>\n
Instagram: <\/strong>instagram.com\/petitbiscuit<\/a>
TikTok: <\/strong>tiktok.com\/@petitbiscuit<\/a>
Facebook: <\/strong>facebook.com\/petitbiscuitsound<\/a>
Spotify: <\/strong>tinyurl.com\/2235vyvb<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"